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在辛弃疾的笔下,月亮不仅勾起人们的思乡怀人之情,而且成了光明的象征,是可以倾诉衷肠的知己,是人的化身。不管是初月的明媚,圆月的皎洁,残月的凄清,霜月的冷峻,以及舟中月的徘徊溪边月的幽静,无一不是与词人的感情互相渗透,彼此交融。在富于艺术幻想的新奇意境之中,寄托着词人壮志难酬后内心的苦闷与忧愤。而这种悲愤之情不只是从个人的得失升沉出发,它是和当时整个国家民族的悲愤紧紧相连的,“代表了那个时代不可屈服的民族的愤怒的呼声”。
In his writing of Xin Qiji, the moon not only aroused people’s homesickness, but also become a symbol of light, a confidant and a man’s incarnation. Whether it is the first month of the bright, full moon on the moon, desolate moon, frosty month, and the boat wandering wandering secluded moon, both with the feelings of the Ci infiltration, blend with each other. Among the novelty artistic conceptions rich in art fantasy, it embodies the anguish and anguish in the heart after the hardships of the Ci-poetry. This feeling of anger not only started from the personal gain and loss, it was closely linked with the national anger of the entire nation then, and “represented the anger of the irresistible nation of that era.”