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中国画构成形式中“即白当黑”的空白虚布,在画中处处存在着,它与作品的实互衬呼应,相辅相成。可以说,空白的虚布,既是衬托实、显示实的关键,更是造化和心灵的凝合。在此基础上,中国画的创作无论是线条上还是色彩上等都可以挥毫泼墨,无拘无束,运用自如,在图像的构成上可以开经自行,超旷自由。中国画的“留白”是绘画的布局的规则,是中国传统绘画的一种较高的境界,讲究着墨疏淡,空白广阔,意到笔不到,自觉而不失章法,以留取空白构造空灵韵味,意境深远,给人以美的感受。
In the form of Chinese painting, the blank cloth of “white is black” exists everywhere in the painting, and it is complemented by the actual mutual support of the works. It can be said that the blank cloth, not only set off the real show the real key, but also the combination of good fortune and the soul. On this basis, the creation of Chinese painting can brush ink on both the lines and the upper-class colors. With its ease and ease of use, the composition of Chinese paintings can be self-sufficient and ultra-liberal. Chinese painting “white ” is the layout of the painting rules, is a higher level of traditional Chinese painting, pay attention to the ink dully, a vast expanse, meaning not to pen, conscious but not lost, to retain Blank structure ethereal charm, far-reaching mood, giving the United States the feeling.