作为鸳鸯蝴蝶派的代表作家,抗战前期,感时忧国和新旧文学交锋的双重焦虑迫使张恨水在创作上由强调小说的趣味性转向体现抗战时代的意识形态。本文以抗战历史为叙述维度,着重考察张恨水这一时期的创作特色及转型原因。 As the representative writers of the Mandarin Duck Butterfly School, the double anxiety of worrying about the confrontation between the country and the old and the new literature in the early period of Anti-Japanese War forced Zhang Henshui to shift his imagination from stressing novelty to embodiment of ideology during the Anti-Japanese War. This article takes the anti-Japanese history as a narrative dimension, focusing on the creative features of Zhang Hen-shui during this period and the reasons for the transformation.