我国的戏曲艺术,源远流长,产生于秦汉,形成于唐宋。但是由于封建正统文学观念的束缚,我国的戏曲真正得以发展却比较晚。鲁迅先生曾说:“小说和戏曲,中国向来是看作邪宗的。”(《且介亭杂文二集》)中国的传统文学观念中,分正宗的文学和邪宗的文学。“文以载道”所尊崇的“文”指的是散文。“诗言志”,抒发个人心中的情态,虽不能经天纬地,但也有“经夫妇,成孝敬,厚人伦,美教化”的功效,所以也还属正宗。至于小说,总是被当作街谈巷议之言,“如或一言可采,此亦荛狂夫之议也。”(《汉书·艺文志》)。 China’s opera art goes back to ancient times and originated in the Qin and Han dynasties and formed in the Tang and Song dynasties. However, due to the shackles of the feudal orthodox literature concept, the drama of our country has really been developed later. Mr. Lu Xun once said: “Fiction and traditional opera, China has always been regarded as an evil cult.” (“Jijiting Pavilion essay two episodes”) China’s traditional literary ideas, the authentic literature and evil clan literature. The “text” which is respected by “Man in Order” refers to prose. “Poetry is ambitious” to express the individual’s modality, though not latitude and longitude, but also “the couple, into a polite, generous, beautiful” effect, so it is also authentic. As for the novel, it is always regarded as a street talk, “If it is recalled, this is also a madman’s proposal.” (“Han Yi Wen Chi”).