这是我近年来新看到的崔如琢先生的指墨作品,这些年来崔如琢先生一直从事于传统艺术的研究和现代笔墨结构的探讨。在当代像他这个年龄的一批画家中间既有比较扎实的功力,同时始终在研究笔墨的现代的形势解构这方面,应该说他是下了很大的精力和功夫,这次看到的这批指墨作品,令人耳目一新。他在技法和笔墨的形势方面努力在拓开一种表现的方式。能从作品中看得出他是指、掌并用,而且他采用了纸的纤维和面料的皮质效果使得画面从原来的指墨适合画一些小幅的作品,今天能看到八尺大幅作品。而且整个画面的结构、章法、布局和气势酣畅淋漓,非常有特色。 This is what I have seen in recent years, Mr. Cui Ruzhuo Zhimo works, these years Cui Ruzhuo has been engaged in the study of traditional art and the modern structure of ink and brush discussion. He has spent a great deal of effort and effort on the part of contemporary painters like him at this age, and at the same time always studying the modern situation of ink and wash. Approval refers to ink works, refreshing. He worked hard to broaden the way of expression in terms of technique and pen and ink. From the works he can see that he refers to the palm and use, and he uses the paper and fiber fabric cortex effect makes the picture from the original ink suitable for drawing some small works, today can see a large eight-foot works. And the whole picture structure, chapter law, layout and momentum hearty, very unique.