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“鬼”作为少数民族抗战诗歌的主要意象指涉日本侵略者,作为一种他者形象折射了自我心理的愤怒、恐惧以及自我在想象、言说他者时对他者的蔑视、惩罚与消解。少数民族抗战诗歌对日本侵略者这一诗歌客体的漫画化、模式化处理使得抗战诗歌的主客体关系从中华民族与日本侵略者的关系转变为“我”与“我们”的关系,体现为一种国家认同的自觉表述。
“Ghost ” as the main image of the minority war poetry refers to the Japanese invaders, as an image of others reflect the ego psychology of anger, fear and self contempt, punishment and Digestion. The Comic and Modem Treatment of the Japanese Aggressor’s Poetry Object by the Minority Anti-Japanese War Poetry Transforms the Relationship between Subject and Object of the Anti-Japanese War Poetry from the Relationship between the Chinese Nation and the Japanese Aggressor into the Relationship between “Me ” and “Us ” , Embodied in a conscious statement of national identity.