明清之际,以冒襄《影梅庵忆语》、沈复《浮生六记》、陈裴之《香畹楼忆语》及蒋坦《秋灯琐忆》等为代表,出现了一系列文人悼念亡妻(妾)、回忆闺中生活情趣的文言散文,被统称为“闺中忆语”。这些作品借回顾生平而悼念亡人,并以不缘狎昵、不饰矫作而又细腻雅致的闺阁生活描写,与才子佳人小说或记述香闺艳事的文章,在主题和审美格调方面有 On the occasion of the Ming and Qing dynasties, there appeared one such as Xiangyang “Memories of Memories”, Shen Fu’s “Floating Life Six Notes”, Chen Pei’s “Fragrant Mansion” and Jiang Tan’s “Autumn Lights” Series of literati mourning dead wife (concubine), memories of the essence of life in the boudoir prose, are collectively referred to as “boudoir memories.” These works, by looking back on their lives and mourning the dead, describe the life of a boudoir as an unremarked and unadorned but delicate and graceful person,