“意派”和“批评性艺术”是相对而言比较“自足”的两套批评理论。前者由高名潞建构,后者由王南溟建构。这两套批评理论皆成形于2009年,前后耗去两位批评家的数10年生命。这两套批评理论在近30年的中国艺术批评理论和实践中尤为罕见,其对于建构本土艺术自足的评论话语系统极为重要。2009年,高名潞策划“意派:世纪思维”展并出版专著《意派论:一个 “Italian School ” and “critical art ” are two relatively critical theories of “self-sufficiency”. The former is constructed by Gao Minglu, the latter by Wang Nanming. Both of these critical theories were shaped in 2009 and consumed 10 years of life by two critics. These two sets of critical theories are especially rare in the past 30 years in the theory and practice of Chinese art criticism. They are extremely important in building a self-sufficient system of commentary discourse. In 2009, Gao Minglu planned “Italian School: Century Thinking ” exhibition and published the monograph "Italian School of thought: a