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他数十年如一日在冷僻寂寞的美术史治学之道上摸索,在为人处事上又近乎本能式地处处先人后己,这种人格的完善和完善程度,在当今显然令人难以置信。
For decades, he has fumbled in the solitary and lonely history of art history and has been practicing himself almost in instinctive manner. This perfection and perfection in his personality is obviously unbelievable today.