莫言的小说《蛙》融合了小说材料、书信和戏剧三种文体,在表现姑姑的忏悔主题时,戏剧文体具有了更深刻的艺术意义。本文试图从《蛙》的戏剧形式入手,借助人类学的仪式理论对《蛙》中所表现出的忏悔主题和赎罪主题进行分析探讨,并进一步阐明《蛙》中姑姑这一人物形象“死而复生”的转变仪式的象征意义,揭示作品内在的“仪式性”结构。 Mo Yan’s novel Frog combines three genres of novel material, epistolary drama and drama, and plays a more profound artistic significance in his aunt’s penitent theme. This article tries to start with the drama form of “Frog”, analyze and discuss the theme of repentance and atonement in The Frog with the help of the ritual theory of anthropology, and further clarify the image of a character in the frog And “Resurrection”, revealing the inner “ritual” structure of the work.