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硕人其颀,衣锦褧衣,巧笑美目,惊鸿一顾……有一些美,不得不承认是上天错赐的稀世之珍。我要说的不是美人颜色,而是这幅四时百卉图卷,长图绘卷,花木精气宛转不绝如缕,流丽披拂,艳光四射,一经遭遇令人失魂飞魄、哑然木立、自惭形秽。如果要比照,我仅能想到张若虚的《春江花月夜》、王希孟的《千里江山图》,这般诗人或画家一生只凭一诗或一画就照亮千古的佳作。蒋廷锡(1669-1723)传世作品中,尺幅、规模与气象以此为最,是陈宝琛故物,仅有“臣蒋廷锡恭绘”的下款,以七米半绢本长卷作一百零八种花卉,设色极为考究,构图无一闲逸,最重要
Master the people, clothes, clothes, clever smile, a glimpse ... ... some beauty, have to admit that God is the best gift of the rare treasure. I would like to say is not the color of beauty, but this four o’clock 100 map flowers, long map painted volumes, flowers and delicate essence of Wan endless, beautiful fluttering, brilliant, once met lost soul, Dumb wood stand, ashamed. If you want to compare, I can only think of Zhang Ruoxu’s “Spring Night”, Wang Ximeng’s “Thousands of rivers and mountains map”, so the poet or painter life with a poem or a picture to light eternal masterpiece. Jiang Tingxi (1669-1723) handed down works, the size, size and weather as the most is the Chen Baochen objects, only the “minister Jiang Tingxi Christine” under the paragraph to seven meters half-length scroll for 100 Eight kinds of flowers, color is extremely elegant, composition no idle, the most important