屈子《离骚》，今人每论其结构之严整，或谓其有非常精美之内在旋律感。予独以为文思纤郁，叙述重复杂沓，有欠条畅。盖当其写作之际，悲愤万端，欲诉无门，故一气倾吐，殊乏熔裁也。予每持此论，而人或不以为然。阅周亮工辑《赖古堂名贤尺牌新钞》，卷十载清初莆田闺秀周庚与 Qu Yuan “Lisao”, today each on the structure of its integrity, or that it has a very beautiful inner melody. To be alone as a melancholy, narrative repetitive, there is no bar Chang. Cover when the writing of the occasion, grieved, want to sue no, so an instant pouring, no lack of fusion cut also. To each hold this theory, and people or disagree. Reading Zhou Liang work “Lai Gu Tang Ming Yin brand new notes,” the volume contained in the early Qing Putian ladies Zhou Geng and