东汉时期的景云碑是一座艺术形式独特而且文字信息完整的碑石1,自出土材料公布以来,关于该碑的研究已涉及考古学、历史学、美术史等多个领域和角度,内容涉及对画像和文字内容的考释以及对书法风格的评析等方面。然而从美术史的视角出发,将景云碑的图像形式统摄为整体进行观照,并对图像背后的视觉观念进行分析,笔者认为仍有可以拓展的余地。 The King Yun monument in the Eastern Han Dynasty was a monument with unique artistic form and complete text information. Since the publication of the excavated material, the research on this monument has touched on many fields and perspectives such as archeology, history and art history, Portrait and text content of the examination and evaluation of calligraphy style and so on. However, from the perspective of the history of art, the image form of King Yun Bei was taken as a whole to observe, and the visual concept behind the image was analyzed. I think there is still room for expansion.