歙溪允尾旧坑……色淡青黑,湛如秋水,并无纹。以水湿之,微似紫,干则否。滋润如玉,发墨如泛油并无声,久用不退锋。——宋·赵希鸽《洞天青录》王耀,他制砚倾力传统文化的继承及对日常生活所见的关注,在宏观上注重形体的把握,在细节上注重精致的刻画,形成了自己砚艺追求的独特艺术语言,作品追求浑朴自然、雍容方正,于朴素中见绚丽,天然中得工巧,摆脱了建国后砚家单纯以工代艺的民俗表现趣味,透露出温和平淡的纯正传统文化气息,其作品历年入选嘉德、翰海春秋拍卖已引起海内外诸多收藏家、博物馆机构的关注、收藏,好评如潮。 Sui River tail tail old pit ...... pale blue, Cham as autumn, no pattern. Wet with water, slightly purple, dry or not. Moisturizing jade, hair ink such as oil and silent, long-term use does not return. - Song Zhao Xigeng “Dongtianqing Lu” Wang Yao, who made great efforts to inherit the traditional culture and his attention to the daily life, pay attention to grasp the shape in the macro, pay attention to the fine details of the description, the formation of The unique artistic language of his pursuit of Yan Yi, the pursuit of simplicity and graceful works of nature, grace Founder, see the beautiful in simple, natural in the art clever, get rid of the inkstone after the founding of the state simply to show the taste of folk customs, revealed a gentle and plain Pure traditional culture, his works over the years selected Guardian, Hanhai Spring Auction has attracted many collectors and museum agencies at home and abroad, the collection, rave reviews.