以天台山为中心的台州释、道水墨画对中国水墨画的生成和发展有着重要的影响。隐居于天台山的释、道人物往往容易被人忽略,其实在源远流长的中国文化史上,他们在文化上的创造有其不可抹杀的重要一笔。台州的释、道人物在书画上的创造,源自天台释、道思想对书画美学思想的影响,也得益于天台山自然环境的滋养。水墨在天台山的发展是必然的,进而由南方影响到北方,推动了水墨在全国的全面发展。 The Tazhilian and Taoist ink paintings with Tiantai Mountain as the center have an important influence on the formation and development of Chinese ink painting. In seclusion in Tiantai Mountain, the Taoist figures tend to be easily neglected. In fact, in the long history of Chinese culture, their cultural creation has an important and indispensable touch. The creation of Taizhou’s interpretation and Taoism on painting and calligraphy originated from the interpretation of rooftops and Taoism and the aesthetic influence of painting and calligraphy as well as the nourishment of the natural environment in Tiantai Mountain. Ink development in Tiantai Mountain is inevitable, and then affected by the South to the north, promoting the all-round development of ink in the country.