谈及这个话题,是有感于当今中学生习作多虚假造作,缺少一种自然流露征服读者的真情。抒发真情拒绝虚浮,书写本色掷弃矫饰,是历来文学大家的为文理念和坚守准则,也是其作品得以流传的缘由。南北朝时文艺评论家刘勰主张“为情选文”,而不能“为文选情”;明代思想家李贽有“天下之至文,未有不出于童心焉”这样的精到认识;而清末词人、词学理谂家况周颐更是指出:“真字是词骨,情真、景真,所作必住。”视真情实感为文章要义之心可见一斑,鲜明的个性品质令人钦服。这些独到的见解影响着当时及后代文人,引导他们写出溢满情愫、敲击心灵、感人至深的佳作华章。 Talking about this topic, it is felt that today’s middle school students practice more false fabrications, lacking a natural expression of conviction to readers. The fact that he expresses his true feelings and rejects emptiness, writing qualities and throwing away pretentiousness is the literary concept and adherence to the principles of literature. It is also the reason why his works are circulated. During the Northern and Southern Dynasties, when Liu Xi, a literary critic, advocated “selecting for the sake of feelings,” he could not “choose for the literary choice”. The Ming dynasty thinker Li Yuyou had a masterful understanding of “the best in the world, and no innocentness”; The words of the school of learning and management Zhou Yu is also pointed out: “The word is the word bone, love is true, King really, must live.” Seeing the true feelings of the article is evident in the heart of the article, the distinct personality quality is admirable. These unique insights influenced the literati of the time and the later generations, guiding them to write masterpieces that were full of emotions, percussive hearts, and touching works.