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圈套的本义是设圈下套,指的是使人上当受骗的计策。叙事学上所说的圈套,显然用的是比喻义,指叙事者用以吸引读者的种种诱骗技巧。在小说创作中,叙述圈套往往还具有结构上的意义,我们把这一结构形态称为圈套结构。在圈套结构的小说中,叙述者常常是一开始就顺着读者的思维定势和接受惯性展开叙述,故意在情节的演进过程中先给读者制造某种关于结局的错觉,然后在关键部位笔锋陡转,突然偏离原来的叙述方向,在结尾或高潮处推出一个与错觉完全相反的结局,从而让读者原有的阅读期待猝然落空,造成强烈的预想性反差,同时产生一种强烈的阅读惊喜。
The original meaning of the trap is set under the cover, refers to the deceitful trick. Trap narrative narrative, apparently used metaphorical meaning, refers to the narrator to attract readers of all kinds of trickery. In the creation of fiction, narrative snares often also have structural significance, and we call this structural form the trap structure. In the novel of snare structure, the narrator often starts from the reader’s thought and inertia to narrate, intentionally giving the reader some illusion about ending in the evolution of the plot, Steep turn, suddenly deviate from the original narrative direction, at the end or climax at the launch with a completely contrary to the illusion of the outcome, so that the reader’s reading expectations suddenly fall, resulting in strong predictive contrast, and produce a strong reading surprise .