朱新建与传统文人画及新文人画的关系朱新建的艺术植根于传统文人画,也叛逆了传统文人画。所谓“植根”是他没有放弃传统文人画表达内心寻求自由的人文精神,所谓“叛逆”是他僭越了传统的禁忌,以真诚消解了传统文化的神圣感,以世俗的情色颠覆了文人画的雅趣。他作为新文人画的领军人物,其真正的意义也在后者。也正是在文化批判的意义上,才使朱新建的艺术具有一种当代色彩。 Zhu Xinjian and the relationship between traditional literati painting and new literati painting Zhu Xinjian’s art is rooted in the traditional literati painting, but also rebellious traditional literati painting. The so-called “rooted ” is a humanistic spirit that he did not give up the traditional literati painting to express his inner pursuit of freedom. The so-called “treason ” is that he has contradicted traditional taboos and sincerely solved the sacred sense of traditional culture, Subvert the literati painting taste. His real significance as the leader of the new scholarly painting is also the latter. It is precisely in the sense of cultural criticism that Zhu Xinjian’s art has a contemporary color.