返归自然成为小说的主题总是营造着浪漫主义的温柔之乡:田园牧歌式的自然风光,率性淳厚的遗俗民风,重义轻利的人伦美德,这些与其说是现代人对原始人性本真的崇尚和留恋,不如说是对工业文明冲击传统人伦的不满和逃避。无论是现代湘西边城风情的礼赞者沈从文,还是当代商州历史遗韵的鼓吹者贾平凹,都是有意或无意地沿着这一轨迹走下去的。红柯的系列小说却在西部风情的文本表层的摹绘下,开启了一个追问人类生存本体这一终极意义的神秘而深 Return to nature as the theme of the novel is always to create a hometown of romantic tenderness: pastoral idyllic scenery, straightforward nature of the simple and honest, reliance on the virtues of human rights, these are not so much the modern human nature of the original Really respect and nostalgia, as it is dissatisfied with and escape from the impact of industrial civilization on the traditional benevolence. Both Shen Congwen, a lover of modern western border town, and Jia Pingwa, the advocate of contemporary Shangzhou, have deliberately or unconsciously followed this path. Hung Ke’s series of novels in the Western style of the surface text of the copy, opened a questioning of the ultimate meaning of human existence, the mysterious and deep