现代化进程使得民族性文艺总是在“传统与现代”、“现代性与民族性”、“全球化与民族化”等二元对立的边缘徘徊。新中国成立以前,民族性文艺基本上处于自生自灭的状态。新中国成立以后,民族性文艺事业在政府,各民族人民群众和各民族文艺家的共同努力下,得到了很大的发展,取得了长足的进步。为保护民族性文艺,促进民族性文艺的发展,国家制定了种种发展少数民族文学艺术的政策措施。在民族性电视文艺工作方面,国家民委、广播电影电视总局(部)、文化部、中国文联共同举办了多届少数民族题材电视艺术“骏马奖”。文化部、国家民委、广播电影电视总局举办了多届全国少数民族“孔雀奖”声乐比赛。无疑,这些工作意义重大,功在当代,利在千秋。 The process of modernization has made national literature and art always hovering at the edge of binary opposition such as “tradition and modernity”, “modernity and nationality”, “globalization and nationalization”. Before the founding of New China, the nationalistic literature and art was basically in a state of its own end. Since the founding of New China, the national arts and cultural undertakings have made great strides and achieved considerable progress with the joint efforts of the government, people of all ethnic groups and various nationalities and cultural groups. In order to protect ethnic literature and art and promote the development of national literature and art, the state has formulated various policies and measures for developing the literature and art of ethnic minorities. In respect of ethnic television literary and artistic work, the State Ethnic Affairs Commission, the State Administration for Radio Film and Television (Ministry), the Ministry of Culture, and the China Federation of Literature and Art jointly held a number of sessions on the theme of television art and “horse award” for ethnic minorities. Ministry of Culture, State Ethnic Affairs Commission, Radio, Film and Television Bureau held a number of national minorities “Peacock Award ” vocal competition. Undoubtedly, these work are of great significance and work in the contemporary era and benefit the future.