作诗写文章,可以从正面进行渲染,也可以从侧面进行烘托。正面渲染,不用说,一般都得心应手,运用自如,当然渲染得如锦上添花也不是那么容易的。侧面烘托,则不是人人所能得心应手,运用自如的了,然而烘托得好,效果并不比渲染差,甚至还要好一些。王昌龄《少年行》:“白马金鞍从武皇,旌旗十万猎长杨。楼头少妇鸣筝坐,遥见飞尘入建章。”不写服饰,写“白马金鞍”,却显示了服饰的豪华;不写地位,写“从武皇”,却显示了地位的显贵;不写声势,写“旌旗十万”,却显示了声势的煊赫。这里没有正面写主人 Writing poems can be rendered from the front or from the side. Frontal rendering, needless to say, is generally handy and easy to use. Of course, rendering it as icing on the cake is not so easy. Concealed on the side, not everyone can be handy, comfortable, but the contrast is good, the effect is not worse than rendering, and even better. Wang Changling’s “Youth Line”: “Bai Majin saddle from Wuhuang, hunter-hundred flag hunter Chang Yang. The young woman on the first floor zither sit and see the fly dust into the Jianzhang.” Do not write costumes, write “White Horse Gold Saddle”, but show The luxury of clothing; do not write status, write “from the Emperor Wu”, but shows the status of the noble; do not write the momentum, write “the flag of a hundred thousand,” but it shows the awesome momentum. There are no positive writers here