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陈丹晨同志的《黑石礁》(载1983年10月12日《人民日报》)这篇散文,在开头和结尾处都有一段简洁、准确、生动、具体而富有特色的景物描写。作者在描写这些景物的时候,始终把立足点放在刻画人物形象上,明写景,实写人,巧妙地借黑石礁的平凡、纯朴、沉着、坚毅的宝贵品格,从正面衬托一个女共产党员的崇高精神境界。这样写来,人物形象更加鲜明生动,呼之欲出。具有强烈的艺术魅力。这篇散文写景是虚,写人是实;兴发于黑石礁,而义归于女党员。那么,作者是怎样使人和景在虚实关系上紧密勾连,是怎样使人和景在取义上做到浑然一体的呢? 首先,作者紧紧抓住了黑石礁身上那些平凡而闪光的特质,激发人们对周围事物的深沉关注和思
The prose of Comrade Chen Danchen’s “Black Rock Reef” (People’s Daily, October 12, 1983) has a concise, accurate, vivid, concrete, and characteristic landscape depiction at the beginning and end. In describing these scenes, the author always puts his foothold on the portrayal of characters, expresses the scenery, and writes people. He cleverly borrows the valuable character of the ordinary, simple, calm, and persevering nature of Heishi Jiao to set off a member of the Communist Party from the front. The lofty spiritual realm. In this way, the characters are more vivid and vivid. Has a strong artistic charm. This prose is a virtual scene, writing is true; prosperous in Blackrock Reef, and justice attributed to the female party members. Then, how does the author make people and King closely associate with each other in the relationship between reality and reality? How does the person and the landscape achieve a perfect integration? First of all, the author firmly grasps the ordinary and shining qualities of Heishi Jiao. Stimulate people’s deep concern and thinking about the surrounding things