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作者:高幼琴 忻霞梅 作品画稿选自故宫博物院藏北宋崔白画作,是当今能确认为他的两件真迹之一。崔白是北宋中期的杰出画家,他的画风把宫廷画院花鸟画的创作提到了一个新的高度,并影响了宋徽宗的审美情趣。由此也树立了他在花鸟画史上不可替代的地位。《寒雀图》中有麻雀九只,姿态各不相同,形象极为生动。以墨色描画枯枝,几点胭脂小芽,精到地点出了一个“寒”意。乾隆亲笔题“崔白寒雀图”,并钤鉴藏宝玺十余枚。上海工艺
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作者:高幼琴 忻霞梅
作品画稿选自故宫博物院藏北宋崔白画作,是当今能确认为他的两件真迹之一。崔白是北宋中期的杰出画家,他的画风把宫廷画院花鸟画的创作提到了一个新的高度,并影响了宋徽宗的审美情趣。由此也树立了他在花鸟画史上不可替代的地位。《寒雀图》中有麻雀九只,姿态各不相同,形象极为生动。以墨色描画枯枝,几点胭脂小芽,精到地点出了一个“寒”意。乾隆亲笔题“崔白寒雀图”,并钤鉴藏宝玺十余枚。上海工艺美术研究所资深刺绣工艺师高幼琴、忻霞梅历时一年八个月,将其精心制作成双面绣佳作。刺绣作品完全继承海派顾绣风格,以针代笔,以线代色,完美地体现出了原作的意韵。绣品画面用色上百。雅致清秀.绣制针法多变,劈线细腻达三、四十分之一,使画面中或凌李拍翅,或伫立枝头的寒雀,在作者手下体现得活灵活现,枯枝苍劲有力;而乾隆题款字体浓淡相宜,笔笔有锋,宛如真迹。石雕工艺美术大师丁伟鸣为作品描印,再由两位工艺师精心以仿旧色彩绣制,更为作品增色不少。工艺上的再创作,在传达原作精神的同时,更表现了传统技艺的工艺美。
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