晋代陆机在《文赋》里说:“谢朝华于已披,启夕秀于未振”。清代郑板桥也云:“删繁就简三秋时,导异标新二月花”。诗贵曲,贵含蓄,但尤贵独创。古代诗人不仅从理论上这么阐述,而且在创作中也在这么努力实践。如唐代有折柳送别的风俗,诗人咏柳的作品不少,但同样题材,却不同立意。试读下列两者: 咏柳贺知章碧玉妆成一树高,万条垂下绿丝绦。不知细叶谁裁出,二月春风似剪刀。 In the “Wen Fu”, the Lu Ji of the Jin Dynasty said: “Xie Chaohua has been veiled and Qi Xiu Xiu has not been shaken.” Zheng Banqiao, also known as the Qing Dynasty: “Census on the simple three-day autumn, the new standard led the new February flowers.” Poetry poems are expensive, but they are expensive and original. Ancient poets not only elaborated in theory, but also worked so hard in their creation. For example, in the Tang Dynasty, there were many customs for the departed and the poet, Sui Liu, had many works, but the same subject matter was different. Try reading the following two: 咏柳贺知 Zhang Biyu makeup into a tree high, 10,000 hanging down the green silk 绦. I do not know who cut fine leaves, February spring breeze like scissors.