论文部分内容阅读
黄梅戏的音乐,象我国许多的民族民间音乐一样,从本质上说并不都是单声部的。它们有着或者内含着某些复调结合的因素。 例一:《打猪草》“对花”的第22—24小节:
The music of Huangmei Opera, like many folk music in our country, is not in essence all mono-ministries. They have or contain some combination of polyphony factors. Example 1: “fight pig” “on the flower” section 22-24: