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一提到民国时期的上海,绕不开的话题就是“海派”艺术。而在众多“海派”画家中,吴昌硕可谓是最为耀眼、成就最为卓越的一位。他的艺术至今影响着许多画家,众多现代绘画大师或出自其门下,或受其艺术影响,如近代海派诸家,北京画派的陈师曾、齐白石等。现代最具实力的傅抱石、李可染、黄宾虹等,无不受其影响。吴昌硕与海派早期海上画派指以任伯年为核心的海上画家群体,它的产生和发展与上海的经济关系尤为密切。自海禁一开,贸易之盛,无过上海一隅。开埠以后,上海书画家有三分之二以上来自外地,有一部分是因战乱频仍
When it comes to Shanghai during the Republic of China, the topic of “Shanghai School” was not detached. Among the many “Shanghai School” painters, Wu Changshuo is one of the most dazzling and most accomplished one. His art so far has influenced many painters, masters of modern painting, or come from below, or under the influence of his art, such as Chen Shizeng and Qi Baishi of the Beijing School of Fine Arts, who came from various countries in modern times. The most powerful modern Fu Baoshi, Li Ke-dye, Huang Bin-hong, etc., are subject to its influence. Wu Changshuo and Shanghai School of Early Maritime Painting refer to the group of marine painters with Ren Biannian as the core. Its origination and development are particularly closely linked with Shanghai’s economic relations. Banned from the sea, trade Sheng, without a corner of Shanghai. After the opening of ports, more than two-thirds of Shanghai calligraphers came from other places, partly because of the frequent fighting