论文部分内容阅读
年龄稍大的人都有这样一个文化经历:中国当代文化从“八个样板戏、一个作家”的极度贫乏的局面中走出以后,进入了一个眼花缭乱、应接不暇的多元化的状态。可说是古、今、中、外齐奏响,而文化时尚的更迭愈来愈快,应了《红楼梦》中的那句话:你方唱罢我登场。但面对乱哄哄的文化景观,你若细细品味、冷静思索,却又分明感到有三种地域文化十分强大地存在着、交融着、渗透着,引起你的深思。一是来自南方的文化冲击。这种南方的文化不是指传统的岭南文化,闽南文化,而是经由广东进入大陆的港台时尚文化。它所以称得上“冲击”是有标志性的例证的。那就是自诩中国
Older people all have such a cultural experience that after coming out of the extremely poor situation of “eight model plays and one writer,” China’s contemporary culture has entered a dazzling and overwhelmed pluralistic state. It can be said that the ancient, modern, Chinese and foreign Qi Xiang, and cultural changes in the faster and faster fashion, should be the “Dream of Red Mansions” in the sentence: you sing me strike debut. However, in the face of chaotic cultural landscape, if you savor, calm thinking, but clearly felt that there are three kinds of regional culture is very powerful, blending, infiltration, arouse your thinking. First, the cultural impact from the South. This southern culture does not mean the traditional Lingnan culture, Taiwanese culture, but through the Guangdong into mainland China Hong Kong and Taiwan fashion culture. It is therefore an iconic example of what it calls “shock.” That is self-proclaimed China