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【引言】:近百年来中国画遭遇前所未有的变局和挑战,是中国画历经磨砺和波折的时期。从20世纪之初对于中国画矫枉过正的误区,到20世纪中后期中国画终结论的产生,这些都深受外来艺术形式和艺术理论的影响,并逐步得到改正。在当下现实世界里,消费社会和图像时代给中国画带来了生存困境,但也带来了发展契机。1839年法国人达盖尔(Daguerre)发明了以碘化银为感光材料的照相术,传统油画所不懈追求的透视法与逼真感,
【Introduction】: Chinese painting in the past century unprecedented change and challenge, is the Chinese painting after sharpening and twists and turns of the period. From the beginning of the 20th century to the misunderstanding of overcorrection of Chinese painting to the end of Chinese painting in the middle and late 20th century, these were deeply influenced by the external art forms and art theories and gradually corrected. In the current real world, the consumer society and the image age brought difficulties to Chinese painting, but it also brought opportunities for development. In 1839, the French Daguerre invented the method of taking silver iodide as the photographic material, the perspective method and the sense of reality that the traditional oil painting relentlessly pursued,