世纪之交 ,中国女性文学呈现出边际写作的精神格局。面对共同的精神困境 ,不同的女性表达营造出多元共生的审美态势 :以女性群体“她们”为本位、代女性立言的写作 ,旨在构建具有宏大叙事意味的母系寓言 ;以女性个体“她”为本位、自我独白式的写作 ,采用诗化的艺术手段呈现“私人”风景 ;以人性化的“我们”为本位、表现人间情怀的写作 ,通过与男性的潜在对话凸现女性化的“自我” At the turn of the century, the Chinese female literature presents the mental pattern of marginal writing. Faced with the common mental predicament, different female expressions create a multi-symbiotic aesthetic posture: the “her” group of women is the foundation for the writing of female rhetoric in order to build a maternal fable with a grand narrative meaning; “As the basis and self-monologue writing, using poetic art to present the” private “scenery; using humanity” us “as the standard, expressing the writing of human feelings and expressing the feminine” ego “through the potential dialogue with men ”