一城,一花,一画家。城是蓉城,花是芙蓉,画家是杨学宁。在信息裂变、价值裂变、时空旋转的全速城镇化时代,杨学宁像一个执着而又内心宁静的守望者——苦心孤诣而又满怀欣喜地守望着一座城市,和这座城市的千年之花。他在油画艺术的田地里辛勤耕耘,种植出独属于他的芙蓉花;他像一只蜀地土著昆虫,蛰伏在自己的领土,以茁壮顽强的声音,唱着一曲明丽、清雅的恋歌。这是自然之花、民俗之花、艺术之花这是他的芙蓉花世界。新城乡 One city, one flower, one painter. City is Chengdu, flowers are hibiscus, painter Yang Xuening. In the era of full-speed urbanization where fission of information, fission of value and time and space are turning around, Yang Hsue-ning is like a persevering and inward-looking watchman who painstakingly pursues a city full of joy and the Millennium Flower of the city. He worked hard in the fields of oil painting and planted the hibiscus flowers that belonged to him alone. He was like a native insect in Shu, dormant in his own territory, singing a bright and elegant love song with a strong and strong voice. This is a flower of nature, a flower of folklore, a flower of art This is the world of his hibiscus. New towns and villages