唐弢同志的《琐忆》,追忆了关于鲁迅后期若干零碎的小故事。乍一看,确如题目所言,是有些“琐碎”的,但由于这些“零碎”的故事,都被作者巧妙地编织在“横眉冷对千夫指,俯首甘为孺子牛”这一主题的红线之上,所以给人的印象,却是十分严谨的。文章可分为两部分。第一部分赞扬先生“俯首”的伟大精神,第二部分歌颂他“横眉”的高贵品质,这就完整地塑造了鲁迅的形象,深刻地揭示了鲁迅精神的实质。如果说“琐”,只是就选材的现象而言,或者说是作者的一种谦词。这种以零碎的材料,着力表现一个统一而集中的主题的写法,正体现了散文的“形散而神不散”的特点。其实,《琐忆》的严谨,并不仅仅表现在有个统一 Comrade Tang Yin’s “Reminiscence” recalls some fragmentary stories about Lu Xun’s later period. At first glance, indeed, as the title puts it, it is somewhat “trivial,” but because of these “fragmented” stories, the authors have skillfully weaved the red line on the subject of “cross-browsing on the fingers and leaning on the head”. On top of that, the impression given is very rigorous. The article can be divided into two parts. The first part praises the great spirit of Mr. “dignified” and the second part praises his noble qualities of “crossing the eyebrows”. This completes the image of Lu Xun and profoundly reveals the essence of Lu Xun’s spirit. If we say “trivial”, it’s just a phenomenon of material selection, or a modest word of the author. The use of fragmentary materials to focus on the expression of a unified and focused theme is a manifestation of the prosaic characteristics of “dispersive and divine.” Actually, the rigorousness of “Tian Yi” is not only manifested in having a unified