在过度娱乐化的影视剧充斥屏幕的当下,如何突破所谓抗战“神剧”的怪圈,打磨出回归艺术本真的精品力作,以赢得更多观众?这是近年来影视界冥思苦索的话题。如果观看了由绍兴市委宣传部和杭州市诗情画意传媒有限公司联合拍制,由肖风导演、程晓玲编剧的抗战影片《兰亭》以后,也许不难找到些许答案。这部影片讲述了主人公林耕由逃避战争到投身抗日、最后殉国的故事,再现了战争的残酷、献身的壮烈和凄美的爱情。影片质朴无华,平实恬淡,既没有气势恢宏的场景,也没有惊悬跌宕 How to break through the vicious circle of so-called “War of Resistance” and “God of Drama” to polish the excellent works of art that return to the true nature of art so as to win more audiences? In recent years, in the field of film and television industry, Cable topic. If you watch the Shaoxing Municipal Propaganda Department and the Hangzhou poetic and imaginative media co-produced by Xiao Feng, Cheng Xiaoling screenwriter of the war film “Lanting” may not be hard to find some answers. The film tells the story of the protagonist Lin Geng escape from the war to join the Anti-Japanese War, the last martyrdom story, a reproduction of the cruel war, devotion heroic and poignant love. The film is plain and plain, tranquil and tranquil, neither a magnificent scene, nor shocked ups and downs