迟子建在自己新作《群山之巅》中,仍然选择了北国故土这一特定的地域文化背景构建了自己的艺术世界,仍然将深情的目光投向自己熟悉的东北乡村,讲述了东北大兴安岭的一个小镇上的人与事。本文试从乡土小说的书写的角度来解析《群山之巅》,主要从东北风貌、民俗风情等方面来探索迟子建对于东北传统乡村世界原始美的描写及对其崩塌后的哀叹。 In his new work “Top of the Mountain”, Chi Zijian still chose his own artistic world with this particular geographical and cultural background of his homeland in the North. He still devoted his affectionate eyes to his familiar northeast village and told about the history of Daxinganling in the northeast A small town of people and things. This paper tries to analyze the “top of the mountains” from the perspective of the writing of native novels and explores Chi Zijian’s depiction of primitive beauty in the traditional rural world of northeast China and its lament after the collapse, mainly from the aspects of northeast scenery and folk customs.