建构主义视角下流行音乐与佛教的共时性发展

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伴随商业文明的不断演进,流行音乐与佛教都遇到了进一步发展的瓶颈性障碍,本文试图通过分析两者各自的特质以及宏观的时代特征,寻求实现两者的共时性发展。流行音乐的外在动力导向与佛教的内生动动力诉求存在一致性,流行音乐的商业娱乐性与佛教的传统文化底蕴相结合,会使两者焕发出更加强劲的生命力。本文认为,虽然流行乐坛与佛教界都开始尝试探索两者共时性发展,但仍存在诸多局限性,这就要借鉴并创新二者的结合方式,实现流行音乐的佛教支撑与佛教的流行音乐命脉,促进两者共时性发展。 With the continuous evolution of commercial civilization, both pop music and Buddhism have encountered the bottleneck obstacle to further development. This paper attempts to seek the simultaneous development of both by analyzing their respective traits and macroscopic characteristics of the times. The external motivation of popular music is consistent with the internal appeal of Buddhism. The combination of the commercial entertainment of popular music and the traditional culture of Buddhism will make both of them glow with more vitality. This article argues that although the popular music scene and the Buddhist world are beginning to try to explore the synchronic development of both, there are still many limitations. Therefore, it is necessary to learn from and combine the two to realize the popular support of Buddhism and pop music in Buddhism Lifeblood, promote the simultaneous development of both.
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