只有比较才有鉴别,只有鉴别才有发现。孔子的儒家乐论,有两个主要思想。一,强调音乐的形式要符合“礼”的规范,音乐的形式应与内容统一。二、在音乐的美学标准上,提倡“乐而不淫,哀而不伤”的“中和”原则。据《论语》记载,孔子在齐听到“韶”乐,三月而不知肉味,情不自禁地感叹:“不图为乐之至于斯也。”认为韶乐是乐之典范。这是由于,在孔子看来,韶乐的平 Only the comparison has been identified, only to identify only discovered. Confucian music theory, there are two main ideas. First, emphasize the form of music to comply with the “ceremony” norms, the form of music and content should be unified. Second, on the aesthetic standards of music, the principle of “neutralization” advocating “music without prostitution, sorrow without injury” is advocated. According to The Analects of Confucius, when Confucius heard “Shao” music in March and I did not know the taste of meat in March, he could not help but lament: "Shao is a music paradigm. This is because, in the view of Confucius, Shao Yue Ping