刘备东吴招亲,已是人们熟知的故事了。这场政治婚姻,注定了女主人公孙尚香难以避免的悲剧命运。北京河北梆子剧团演出的《孙尚香》(高文澜编剧),就是以这个人物为中心展开的一幕历吏悲剧。它从孙权为夺取荆州、诓回孙尚香开始,结束于夷陵战后、孙尚香投江自尽。这是一个传统的题材,却体现了崭新的艺术构思,灌注了当代作家对于这个历史事件和人物的认识与思考。在《三国演义》以及有关的传统戏曲中,原有‘截江夺阿斗’、‘别宫祭长江’等情节。前者着重表现赵云的忠勇,孙尚香的性格则显得有些模糊。赵云与孙尚香的冲突,是从她被诓回去探母,却随身带走阿斗刘禅——虽然不是她的亲生之子而引起的。后者则是她在东吴听到刘备逝世的噩耗以后,江岸设祭,以死殉夫,在京剧等剧种的舞台 Liu Bei Dong Wu Zhao pro, is a well-known story. This political marriage, doomed to the tragic fate of the heroine Sun Shangxiang can not be avoided. Beijing Shangzhe Opera Troupe performed “Sun Shangxiang” (Gao Wenlan screenwriter), is the scene of this character as the center of the calendar tragedy. It started from Sun Quan to seize Jingzhou, Sui back Sun Shangxiang, ending in Yiling after the war, Sun Shangxiang cast himself to death. This is a traditional theme, but it embodies a brand new artistic concept and infuses contemporary writers’ understanding and reflection on this historical event and figure. In The Romance of The Three Kingdoms and the related traditional operas, the original episodes such as “Captured the Fortress by the Yangtze River” and “provided the Yangtze River by another palace” The former focuses on the performance of Zhao Yun’s loyalty, Sun Shangxiang’s personality is somewhat blurred. The clashes between Zhao Yun and Sun Shangxiang are from her being returned to explore the mother, but carrying the altar Liu Chan with her - though not caused by her own son. The latter is she heard in Soochow Liu Bei died of the bad news, the riverbank sacrifices to die for the sake of death, opera and other operas in the stage