一个平凡的夏夜,一场小雨过后,微风轻拂,在上海西边的朱家角的课植园里正在演出昆曲《牡丹亭》,台下的观众聚精会神,被实景园林所营造的舞台和张军的表演深深吸引,此时受邀设计张军新剧舞台的俞挺也在观众席中,虽不了解昆曲,但他也被深深的触动了。朱家角的舞台如此写实,那与之东西相对的九间堂是否可以写意呢?这就是九间堂新的昆曲舞台的设计策略,一种对偶关系。 An ordinary summer night, after a light rain, the breeze flies in Zhujiajiao, west of Shanghai, the plantation is performing the Kunqu Opera “Peony Pavilion” audience audience, the real landscape garden to create the stage and Zhang Jun The show attracted the audience. At this time, Yu Ting, who was invited to design the stage for Zhang Jun’s new drama, was also in the auditorium. Although he did not understand Kunqu opera, he was deeply touched. The stage of Zhujiajiao is so realistic that the nine temples opposite to it can be freehand of writing? This is the design strategy of the new Kunqu opera stage in Jiutang, a dual relationship.