作者介绍归纳了当代艺术的四种批评立场,一是王林、王南溟等人的后殖民批判;二是管郁达、汪民安等人的后现代批判;三是易英、皮力、李公明等人的社会学批判;四是河清等人的民族主义主张。作者对此进行了分析和讨论,认为这四种批评立场都是去现代性的现代性批判,由于其批判主体立场的缺席和价值底色的苍白,可能走向虚无主义。 The author introduces four criticisms of contemporary art: one is the postcolonial critique of Wang Lin and Wang Nanming; the other is the postmodern critique of Guan Yunda and Wang Minan; the third is Yi Ying, Pi Li, Li Gongming Et al. Criticism of sociology; Fourth, He Qing et al’s nationalism. The author analyzes and discusses this, and holds that all four criticisms are modern critiques of modernity and may go to nihilism because of the absence of the critical subject and the paleness of the value background.