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1993年的中国美术创作是现代美术史尤为值得记载的一年。自1985年席卷全国的美术思潮的涌现至1989年潮止,大体上探索艺术发展的多元格局已基本形成。艺术家们在89年后已从那种全方位的几近贪婪的艺术选择之中再次返回到自我,而且,客观外界创作环境也发生了较大的变化,美术创作表面上呈现出一种沉寂和平静的状态,创作心态亦渐趋沉稳(我曾于1991年第二期《美术史论》撰文就此做过论述)。1990年、1991年,全国学术性的大型活动也处于间歇状态,已举办的
The 1993 Chinese art creation is a memorable year in modern art history. Since the rise of the art trend of thought that swept through the whole country in 1985 to the tide of 1989, it has been basically explored that the pluralistic pattern of artistic development has basically taken shape. After 89 years, the artists have once again returned to themselves from that kind of omnidirectional almost greedy artistic choice. Moreover, the objective external creative environment has also undergone major changes. The art creation shows a sense of quietness on the surface Calm state, creative attitude has also become more calm (I had in 1991 the second issue of “history of art,” the author of this article has been discussed). In 1990 and 1991, the nationwide academic activities were also held in a state of intermittent activity