中国电影不讨中国人喜欢,实在是一个奇怪而又有趣的现象。大家都泡在同一种大文化氛围里,有共同的民族性,有相通的思维方式和行为方式,创作者和观众的心,好像怎么也碰不到一块似的。我们自古从来就是重教化的,神主牌上是“天地君亲师”,不但有“师”,而且每一位都有天赋的教化权。因为根本的治国之道在“修身养家治国平天下”。因此,诗,也就讲究诗教。既“兴观群怨”,又“思无邪”。中国电影的教科书主义,本来正是这种重教化的传统的产物,可是观众不喜欢了。因为什么呢? 这种教科书主义既根深蒂固,又非常彻底。 Chinese movies do not discuss the Chinese like it, it is a strange and interesting phenomenon. Everyone is immersed in the same kind of culture. There is a common nationality. There is a common way of thinking and behavior. The minds of creators and audiences do not seem to touch one another. We have always been re-educated since ancient times, and the God-made card is “divine kings and kinsmen divisions.” There are not only “divisions,” but each has a gifted educative power. Because the basic rule of the country in “self-cultivation and rule the country the world.” Therefore, poetry, also pay attention to poetry. Both “Xing Guan Gang resentment”, but also “thinking innocent.” Chinese film textbookism was originally a product of this tradition of re-education, but the audience disliked it. Because of what? This textbookism is deeply rooted and very thorough.