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[马头调]是明清俗曲遗存中的珍稀。虽未见于明代著录,但清代嘉庆二十四年(1819)学秋氏在《续都门竹枝词》中就曾有“秋波临去转难当,白眼看它顾曲郎。一自马头勾调盛,瞎姑镇日瞎奔忙”的诗句。可知[马头调]在清代前期就盛极一时,它产生的年代肯定还要早。道光八年(1828)华广生编选的《白雪遗音》刻本中共收入[马头调]四百三十多篇五百一十多首,可谓洋洋大观。不仅数量为全书之冠,且独一无二地将此调之工尺谱呈现于卷首。清代在北京地区曾发展为一个曲种,在河南大调曲中也曾是主要曲调,被尊为“曲中之君”。
[Ma Tia tune] is the remnants of the song in the Ming and Qing Dynasties rare. Although not recorded in the Ming Dynasty, but in the Qing Dynasty Jiaqing Twenty-four years (1819) Learning Qiu in the “Dudumen Zhuzhici” had “ Diao Sheng Sheng, Blind Ghost town blind day busy ”poem. It can be seen that [Ma Tia tune] was very popular in the early Qing Dynasty, and the era it generated certainly had to be earlier. Daoguang eight years (1828) Hua Guangsheng’s selection of “Snow White Scriptures” engraved the CPC revenue [Ma Tia tune] more than 430 articles more than one hundred and eighteen, indeed ocean view. Not only the number of the highest in the book, and unique to the tone of this scale show in the beginning. Qing Dynasty in Beijing has developed into a song species, in the major melody in Henan has also been the main melody, was honored as “song of the king.”