鲁迅对初学“木刻”的青年人谈话时曾这样讲过:“观察多,手法熟,然后渐作大幅。不可开手即好大喜功,必欲作品中含有深意,于观者发生效力。”(《致罗清桢》)鲁迅先生虽然是在谆谆教导青年人创作木刻要由少到多,“渐作大幅”,但是其精神却和写作相同,学写新闻报道的同志也应由小到大,循序渐进,不可一开手即“好大喜功”。 When he spoke to young people who are “beginners” of woodcut, Lu Xun once said: “When we observe more, we are familiar with the technique, and then we get bigger and bigger. To Luo Qingzhen ”) Although Mr. Lu Xun taught young people to create woodcut from less to more,“ gradually make a substantial ”, but its spirit and writing the same, learn to write and report the comrades should also be small to large, step by step, Do not start a hand that is “very happy.”