目前,我国正值改革之机,反映改革中的各类矛盾的影片逐渐增多起来。但,这类题材的影片普遍都面临一个难题,即如何处理好老干部中的保守派形象:写重了,难免有丑化之嫌;写轻了,又达不到振聋发聩的社会效果。而影片《祸起萧墙》在掌握这个分寸上却下了一番功夫,获得了较好的效果。首先,影片抓住梁政委、郭书记这类保守派的特征:他们思想僵化,官僚习气严重,凭着昔日的老本独断专行,不顾全局利益,大搞家长作风,顺者昌、逆者亡,成了横亘在改革之路上的绊脚石、拦路虎。同时,影片也肯定了他们思想深处并没有反人民的本质,主观上也是愿意为人民办好事的。如影片中,郭书记“雨夜检查灾情”,关心“蹲点”村里人民的利益等,就反映出了这一面。正是由于这样,郭书记才在事故发生以后,没有推卸责任、溜之大吉,也没有栽 At present, our country is at a time of reform and films reflecting all kinds of conflicts in the reform are gradually increasing. However, the films of such themes generally face the challenge of how to handle the image of conservatives among veteran cadres: if they write heavily, they will inevitably be vilified; if they write less, they will not reach the social effect of enlightening themselves. The film “Curse of the Xiaoqiang” in the grasp of this sense, but under a lot of effort, get better results. First of all, the film seized the features of such conservatives as Liang Political Commissar and Guo Shuji: they are rigid in ideology and have serious bureaucratic abuses. With their old-fashioned autocratic profession and disregard of the overall interests, Has become a stumbling block across the road to reform, stumbling block. At the same time, the film also affirmed that they have no anti-people essence in the depths of their minds, and are subjectively willing to do good for the people. Such as the film, Guo Shuji “rainy night to check the disaster”, concerned about “stay in” the interests of the people in the village, it reflects this. It is precisely because of this, Guo Shuji only after the accident, did not shirk its responsibility, slipped away, nor planted