王羲之作为一代书圣,彪炳千秋,汇古通今。对王羲之的研究从文献上分析自南朝宋、梁为肇端,经历代专家学者的艰辛努力,自成体系,已是中国书法史论中重要组成部分。诚然,不少专题还值得再去挖掘或展开新的论证。笔者试以当代人文学科的立场审视、评估他的隐士思想、隐居生活与流连山水之情。力图从他大半生坎坷的仕途上,捕捉其内心世界的冲突,感情跌宕起伏的思想底蕴。无疑,对这样一位历史文化名人的深层面、多视角的认知,会有助于更全面地了解他的书法创作取向与书法审美观。 Wang Xizhi as a generation of book sanctuary, shine through ages, the exchange of ancient and modern. Wang Xizhi’s research from the literature analysis from the Southern Song Dynasty, Liang as the beginning, through generations of experts and scholars arduous efforts, self-contained system, is an important part of the history of Chinese calligraphy. It is true that quite a few topics are worth exploring or starting new arguments. I try to examine the current position of the humanities disciplines to assess his ideas of hermits, seclusion and lingering landscapes. Trying hard from most of his life career ups and downs, to capture the conflicts within his inner world, feelings ups and downs of the ideological heritage. Undoubtedly, the deep and multi-perspective cognition of such a historical and cultural celebrity will help to understand his calligraphy creation orientation and calligraphy aesthetics more fully.