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延续发展了五千年的中国文化,在20世纪左右,遇到了前所未有的劫难,经过几千年的发展才达到相当高度的“中国画”成了批评的对象。几乎在20世纪美术院校所有的中国画系科里,中国画教学都背离了中国画本身的价值取向和形式标准,一切从素描入手,用西方绘画的造型、色彩原理和标准来要求中国回教学,经过几十年,已达到改造或所谓“创新”中国画的目的,中国画沦为“水墨画”、“彩墨画”之类失去了文化内涵的怪物。今天,我们有一个学术思想比较自由的环境,应该认真审视一下我们的过去、现在和未来,对中国画百年来的发展和失误
Continuing the development of 5,000 years of Chinese culture, in the 20th century or so, it encountered unprecedented catastrophe. After several thousand years of development, the “Chinese painting”, which achieved considerable height, became the target of criticism. In almost all the Chinese paintings of the 20th century, the Chinese painting department deviated from the value orientation and formal standard of Chinese painting itself. All started with sketching and asked Chinese Islamic studies through modeling, color principles and standards of western painting. For decades, it has reached the goal of rebuilding or so-called “innovative” Chinese painting. Chinese painting has become a monster that has lost its cultural connotations such as “ink painting” and “colorful ink painting.” Today, we have a relatively free academic environment. We should carefully examine our past, present and future, and give impetus to the development and mistakes in the past 100 years of Chinese painting