在三月即将举办的“国际摄影艺术经济协会”博览会(简称AIPAD,纽约)上,一方面,人们能够继续欣赏到贝伦妮丝·阿博特(Berenice Abbott)、罗伯特·弗兰克(Robert Frank)、艾德华·斯泰肯(Edward Steichen)等摄影大师半个多世纪前使用传统银盐相纸和暗房冲洗技术制作出的美轮美奂的画面,似乎时间从未在上面留下痕迹,似乎画面中的人物从未老去。但也许就在这些作品的旁边,便是年轻艺术家们使用数码相机和数码输出的摄影作品,其中有些,你分辨不出和传统摄影的区别,而另外一些你不知道是否该称其为摄影。 On the one hand, people will be able to continue watching Berenice Abbott, Robert Frank, Frank, Edward Steichen and more, more than half a century ago using traditional silver paper and darkroom washing technology to produce beautiful images, it seems that time has never left on top Traces, it seems the characters in the picture never grow old. But perhaps next to these works, young artists use digital cameras and digital output photography, some of them you can not tell the difference between traditional photography and others you do not know whether to call it photography.