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《野兔的嘴唇》讲述了在哥伦比亚政府军与革命武装游击队冲突期间被屠杀的平民“野兔”一家,来到暴力屠杀的实施者、自卫队领导人萨尔沃的家中,要求承认其暴行的故事。该剧直面暴行本身,用暴力对人、对社会、对家庭造成的伤害警醒世人。这出戏采用了戏剧表达的复杂化、不确定化的手法,使主题的呈现得以立体化,进一步探讨了人们究竟应该如何面对暴力以及是否有可能与暴力实现和解。剧作采用了一种罪恶削平、使罪恶分散化的手法,使得杀人暴行与生活中的平庸之恶同质化,因而对暴力的控诉乃至冲突双方的最终和解显得无力。
Hare’s Lips describes the “Hare” family of civilians who were massacred during a clash between Colombian government forces and revolutionary armed guerrillas and came to the home of Salvo, the leader of the violence, who violated the killings, asking for recognition Atrocity story. The drama confronts the atrocities themselves and warns the world of violence, violence against people, society and families. The play adopts the complicated and indefinite techniques of drama expression to make the presentation of the theme three-dimensional. It further explores how people should face the violence and whether it is possible to reconcile the violence. The play employs a technique of flattening crime and decentralizing evil, homogeneously killing the atrocities and the commonplace evil in life, and thus the indictment of violence and even the ultimate reconciliation of the two parties in the conflict become weak.