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中国传统山水画的发展已历逾千年,在技法研究、品评赏鉴、理论构建等方面都已形成了严密成熟的系统。但随着中国近代历史的展开,西方文明的传入,尤其是戊戌变法和新文化运动中“打倒四王”“革四王的命”的呼声骤起,传统山水画备受质疑,开始走上寻求新生的道路。而今,在全新的大环境中,一方面,面对光怪陆离的都市潮流、日新月异的科技成就以及日趋活跃的文化交流,传统的笔墨描绘似乎力有不逮,板桥村落、草木亭台、溪流
The development of traditional Chinese landscape painting has been going on for more than a thousand years and has formed a well-developed and mature system in terms of technical research, appreciation of books, construction of theory and so on. However, with the development of modern history in China, the introduction of Western civilization, especially the call of “overthrowing the Four Kings” and “the revolution of the four kings” in the Reform Movement of 1898 and the New Culture Movement, the traditional landscape painting has been questioned , Began to embark on the path of seeking new life. Nowadays, in the new environment, on the one hand, in the face of bizarre urban trends, ever-changing scientific and technological achievements and increasingly active cultural exchanges, the traditional ink and brush depictions seem to be overwhelming. Banqiao villages, vegetation and pavilions, streams