一、努力塑造“这一个”同样的剧本,同样的演员阵容和经济实力,可以出现不同的舞台面貌,关键取决于导演的水平。有些戏曲新作在本子上看也不显陈旧,但经二度创作就成了只有行当类型的老戏新故事;而有些戏故事并不新奇,导演却能挖掘创作出具有独特心态、鲜明个性的“这一个”。下面结合导演(我与我的学生刘元盛合导)《纪晓岚》剧对纪晓岚“这一个”人物的塑造谈谈体会。我们先从以下几个方面入手创作:首先 First, efforts to shape the “this one” the same script, the same cast and economic strength, there may be different stage appearance, the key depends on the director’s level. Some new dramas do not appear old in the book, but after a second creation, they become the only new stories of the old genre. While some of the play stories are not novel, the director can tap to create unique and distinct personalities “this one”. The following combination of director (I and my students led by Liu Yuansheng) “Ji Xiaolan” drama on Ji Xiaolan “this one” of the characters to talk about experience. We start with the following aspects of creation: First of all