挪威作家易卜生在《玩偶之家》中创造性地塑造了一个“出走的女性形象”——娜拉。这部19世纪后期的现实主义戏剧,喊出了一句时代的口号——“女性解放”。在20世纪初,娜拉的形象被我国很多作家在戏剧和小说的体裁中借鉴和效仿。本文以胡适的《终身大事》和鲁迅的《伤逝》为例,试从原型模仿和形象续写两方面对娜拉形象在现代中国语境下的模仿与嬗变进行研究与探讨。 Ibsen, a Norwegian writer, creatively portrayed a “runaway female image” in Doll’s House - Nora. This late 19th century realist drama shouted the slogan of a time - “female liberation ”. In the early 20th century, Nora’s image was borrowed and imitated by many Chinese writers in the genres of drama and novels. Taking Hu Shi’s lifetime event as an example and Lu Xun’s Shangsi as an example, this paper attempts to study and discuss the imitation and transmutation of Nora’s image under the modern Chinese context from the perspective of prototyping and image renewal.